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X, AND WHY FIVE WORDS DID THE WORK OF A WHOLE SPEECH.




Published

I'm binging the excellent 'Godfather of Harlem' at the moment. If you haven't seen it, you should; it's brilliant.

In one of the episodes, the actor playing Malcolm X delivers part of a speech that would go down as one of the greatest in American oratory history.

But it was the title that delivered the real power. The brutally simple organising thought behind the whole thing.

'The Ballot or the Bullet.'

Just five words. Well chosen.

Everything that followed: The decades of failure by both Democratic and Republican parties to end the oppression, exploitation and degradation of black people in America. The American Dream that never included them. The Southern filibuster, that old trick of talking a bill to death rather than letting it pass. The case for self-defence. The plain fact that the black vote could decide who sat in the White House. All of it now had somewhere to live.

Because the title had already told the audience what was at stake. Nobody walked out unsure of what was coming.

That's the job of a copywriter. Different stakes, but the same discipline.

Not the persuading. The choosing. Finding that one sentence that carries the argument so the audience doesn't have to hold the other four thousand words in their head.

Years ago, while working at an agency, I got into the lift after a long day, feeling more than ready to go home. A planner jumped in, looking more pleased with herself than anyone deserved to be. She'd just condensed a forty-page client briefing document into three pages. I congratulated her on this Herculean achievement. Then I reminded her the copywriter would now have to condense that down to six words.

Copywriters spend most of their working life doing a smaller, quieter version of what Malcolm X achieved. The client hands over eighteen pages of research, three rounds of legal caveats and a technical spec nobody outside the building understands.

The job isn't to summarise it. It's to find the single thought strong enough to make everything else optional. The line people remember, the one carrying the whole weight of what the brand is trying to say.

Good copywriting doesn't simplify because people are stupid. It simplifies because attention has always been the scarcest thing you can ask someone for. A clear headline or pay-off line earns that attention faster than a clever paragraph ever will.

'The Ballot or the Bullet' isn't a range of complex considerations. It's concentrated. No fluff.

Say the true thing in the fewest words that still carry its full weight.

That's not a formula. It's the craft.

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