About me

Video director and post-production lead with 25+ years in broadcast television, documentary filmmaking, and high-end audiovisual production. I lead projects end-to-end, combining creative direction, editorial judgment, and post-production supervision — including AI-assisted workflows used as professional production tools, not shortcuts.

I've spent over 25 years working in the audiovisual industry, mostly where direction, post-production, and authorship collide. My background spans national broadcast television, documentary filmmaking, scripted fiction, and complex, high-end productions — projects where narrative weight, historical context, and formal discipline actually matter.

I operate end to end. I design, supervise, and often execute full audiovisual workflows — from editorial structure to final delivery — keeping creative intent intact while cutting through unnecessary process. I'm comfortable taking responsibility for the whole chain, not just a department.

My work lives between editing, colour grading, motion graphics, compositing, visual effects, sound integration, and visual design — always in service of storytelling, never technique as decoration.

I've worked across film (documentary and short-form), national broadcast television — including prime-time entertainment and scripted formats — drama, marketing, and new media. I adapt tone and visual language with precision, restraint, and a strong sense of rhythm. I don't chase trends; I build coherence.

Career markers include:

TP Gold Award for Best Game Show as a director

Ranked among the Top 3 Video Editors on Creativepool

Recognized as a Top Post-Production Coordinator for delivering complex broadcast projects without excuses

My most recent broadcast work is La conquista de la democracia (2024), a six-part television series produced by Tevescop and aired on RTVE, Spain's national broadcaster. It stands as the most extensive audiovisual record to date of Spain's transition to democracy. I led the entire remote post-production process — editing, grading, VFX, motion graphics, stabilization, and delivery — maintaining narrative cohesion and a controlled cinematic language across six directors and massive archival material.

My current creative axis is The Fingerless Archer, an original scripted historical drama developed as a long-term authorial project. It's a deliberate, cinematic exploration of power, violence, and identity — designed with the same rigor I bring to broadcast work. Selected material is showcased on Creativepool as a clear statement of where my directorial and post-production voice is heading. AI is used as a production and storytelling tool within high-end film and post-production workflows.

I'm a native Spanish speaker, fluent in English, and available for international collaborations — short or long term. I work best where trust, clarity, and ambition intersect. I'm not interested in noise. I'm interested in control, intent, and work that holds up.

Skills

AI-driven Post Production, Editorial Design, Grading, Motion Graphics, Post Production, Storyboarding, Visual Effects

Sector Experience

AI Filmmaking, AI-assisted workflows, Audio / Visual, Cinema, Entertainment, Film (Short / Documentary), Generative AI, Generative Video, Television

Awards

TP Gold Award Best game show

Clients

A3 Media, Martingala, RTVE