About me

If we assumed I have "absolute eye" in the same sense some musicians have absolute pitch, we'd be close to what I actually do. What to say with it, though, what to play, that's where it gets complicated.

I've spent a lifetime directing, designing and delivering complex audiovisual projects — from close to 400 episodes of scripted television, to award-winning game shows, to prime-time documentary series for national broadcasters. Surprisingly enough, I lead full post-production pipelines remotely too. Would you believe that!

Something new entered the picture a year ago now, call it "Generatography," my own shorthand for AI-generative filmmaking. Amazed myself, this means I can now take a project from script to final screen delivery, alone if needed, without losing the cinematic gift I believe I have (do I

My LLM of choice suggested I include these embarrassing lines:

TP Gold Award for Best Game Show (as director)
Third best worldwide Video Editor on Creativepool's global Top 25

And last but not least, my running paradox: right now I can't show you the portfolio I'm proudest of, built for a client I serve under elementary discretion. Very anti-LinkedIn, I know. Busy or not, I'm always interested in new projects, though. Call it the power of positive promiscuity.

Latest spokeable project (old news already, as usual): La conquista de la democracia (RTVE, 2024) — full remote post-production of a six-part documentary series, archive footage, motion graphics, orchestral score by Alberto Iglesias.

I work globally. Spanish, English, and fluent post-production.

Skills

AI-driven Post Production, Editorial Design, Grading, Motion Graphics, Post Production, Storyboarding, Visual Effects

Sector Experience

AI Filmmaking, AI-assisted workflows, Audio / Visual, Cinema, Entertainment, Film (Short / Documentary), Generative AI, Generative Video, Television

Awards

TP Gold Award Best game show

Clients

A3 Media, Martingala, RTVE