ABOUT
CONCEPT:
A personal project where I applied High-key lighting similar to that of the 1930s -1941 Hollywood movies aiming to reduce contrast & shadow ratios in a scene. I chose to use the High-key technique on four unrelated subjects in four different scenarios to ascertain whether I could create one synergistic fine-art collection.
EXECUTION:
In applying traditional High-key, I rendered my images in Black & White, my favoured photographic genre. I made sure grey tones were reduced to 18% points but retained near-solid blacks in critical areas of each photograph. Also, I maintained structural & tonal definitions in mid-range regions of each subject. Out-of-focus backgrounds were allowed to fade into formless white.
The real challenge was to apply High-key to four distinctly different scenarios, FIGURE, FAUNA, FLORA & FABRICATED (structures & objects). Various sources illuminated my subjects; direct sunlight, others in ambient light, open shade (overcast in one) and mixed artificial lighting. I enhanced four of my studies with fill-in strobe lighting; one outdoor and three indoor locations.
KEN – The Artist as Photographer
Back to WHITE LIGHT – The Artist project
Stephen Ludford
Design Director, Trapeze Creative Ltd
United Kingdom
salamandra.uk animation studios
United Kingdom
Anu Köchli
Oil Painter, Graphic Designer, Video Editor, Anu Design
United Kingdom
Cadava
United Kingdom
Dmitry Pushkarev
3d artist, 3D modeler, 3D designer, freelancer
Russia
Floris Eloff
Illustrator
South Africa
Giannis Sorotos
Creative Director, The Newtons Laboratory
Greece
Javier Ferrán
Art Director, Ferrán Studio
Spain
Mercedes
Video Editor, Freelance
Portugal
Rob Luckins
Freelance Photographer
United Kingdom