About us

The ethos of River’s Edge has not changed since it began in 2008: the intention of concentrating on the little-known, the fringe, the outsiders. But this, of course, begs the question: why ignore the mainstream? There are those who never fail to react to fans of the rarely-noticed with cries of, “But surely you’re throwing the baby out with the bathwater?” This is, of course, true: for every Da Vinci Code there is a Foucault’s Pendulum, for every endless Scream sequel there is a Carrie. Such mainstream masterpieces, though, are more than catered for elsewhere. It is not a hatred of the majority that drives River’s Edge. On the contrary, it is rather a curiosity, a need-to-know, of what else is going on.