About me

- Assisting Director of Photography (DOP) and Camera Operator
- Camera setup and breakdown
- Lens changing and maintenance
- Focus pulling (manual & wireless)
- Camera cleaning and safety
- Battery management and charging
- Media card management and labeling
- Slate / clapperboard operation
- Camera reports and basic documentation
- Monitoring exposure and focus
- Supporting handheld, tripod, gimbal, and rig setups

Technical Knowledge
- Understanding of camera menus, codecs, frame rates, and resolutions
- Basic lighting knowledge (to support camera department)
- Understanding of camera movement and blocking
- Framing and composition support
- Knowledge of on-set workflow
- Data handling and backup basics

Soft Skills
- Strong communication skills
- Ability to work under pressure
- Team player mentality
- Fast learner
- Time management
- Problem solving on set
- Respect for hierarchy and set discipline
- Adaptability in different shooting conditions
Lenses & Accessories Experience
- Prime and zoom lenses
- Manual cinema lenses
- Follow focus systems
- Matte box and filters
- Tripods and fluid heads
- Sliders and basic dolly systems
- Gimbals (DJI Ronin series)
- Handheld rigs and shoulder mounts

⸻

On-Set Responsibilities

As a Camera Assistant, my responsibilities include preparing the camera before the shoot, checking batteries, formatting cards, ensuring lenses are clean, and confirming that the camera is ready for each shot. During shooting, I stay close to the camera operator to assist with lens changes, focus checks, and any technical needs. I make sure that media is handled safely and handed over correctly for backup.

I also support the DOP in maintaining visual consistency, helping check framing, focus, and exposure when needed. I take care of all camera gear at the end of the shoot and ensure everything is packed properly and safely.

ARRI Digital Cameras

I have experience assisting with ARRI digital cinema cameras, known for their cinematic color science and reliability on professional sets.

Cameras:
- ARRI Alexa Mini
- ARRI Alexa Mini LF
- ARRI Alexa LF
- ARRI Alexa Classic (digital)
- ARRI Amira

Responsibilities:
- Camera build and breakdown
- Lens mounting and back-focus checks
- Battery and power management
- Media handling (CFast / Codex)
- Menu setup (resolution, fps, LUTs)
- Monitoring exposure and focus
- Supporting handheld, tripod, dolly, and gimbal setups
- Cleaning sensor area and maintaining camera body
- Supporting DOP and operator during takes

⸻

SONY Digital Cameras

I have worked with Sony cinema cameras widely used in documentaries, films, web series, and commercials.

Cameras:
- Sony FX3
- Sony FX6
- Sony FX9
- Sony FS7 / FS5
- Sony Venice / Venice 2 (basic to intermediate support)

Responsibilities:
- Setting up picture profiles and log formats (S-Log3, Cine EI)
- Managing media (CFexpress, XQD)
- Camera rigging for handheld, gimbal, and car mounts
- Monitoring focus, exposure, and white balance
- Supporting multi-camera shoots
- Troubleshooting camera issues quickly on set

⸻

RED Digital Cameras

I have hands-on experience supporting RED digital cinema cameras, known for high-resolution RAW workflows.

Cameras:
- RED Komodo
- RED Komodo-X
- RED Scarlet-W
- RED Weapon (basic familiarity)
- RED V-Raptor (basic familiarity)

Responsibilities:
- Media management (CFast / CFexpress / REDMAG)
- Resolution and frame rate setup
- RAW workflow support
- Camera rigging and balancing
- Monitoring temperature and system status
- Supporting DIT workflow and backups
- Assisting focus pulling and lens changes

⸻

Digital Workflow Knowledge
- Understanding of RAW, ProRes, and XAVC formats
- Frame rates, shutter angles, and ISO management
- LUT loading and monitoring
- On-set data safety and backup workflow
- Multi-camera synchronization support
- Basic DIT coordination

⸻

Why I Am Strong as a Digital Camera Assistant

Working with ARRI, SONY, and RED has given me a strong technical foundation and confidence on professional sets. I understand the responsibility of handling expensive equipment, supporting the camera department, and ensuring that every shot is technically perfect. I am reliable, organized, and always ready to support the team to deliver high-quality results.

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