ABOUT

This project introduced me to technical challenges that I hadn't encountered at that stage in my animation career.

I needed to hold heavy timelines that were up to 11 minutes long, combining both puppeted and cel animated elements that were built from or based on very recognizable stylised book illustrations. I had to match this style in my own illustrations and compositions for the "zany editions", and help maintain consistency across over 16 films that included games, quizzes and read-along stories.

This was something that required a creative eye, a high level of organisation and attention to detail from the board-o-matic stages, all the way through to QC'ing.