ABOUT

A study in partial visibility. Each piece filters the human figure through a distorting medium — fluted glass, wave-line moiré, pixel-sort glitching, dissolving typography — so the body is never fully resolved, only suggested. The animations extend this further, letting the distortion breathe: patterns ripple, fracture, and reassemble in real time, turning a static portrait into a shifting threshold between presence and abstraction. Across the series, identity becomes something glimpsed rather than seen — filtered through texture, light, and motion until the line between subject and surface disappears.

Credits;
Reference photography sourced via Pinterest; original photographers/artists unknown at time of collection. Animation, motion design, and all moving-image work by me.