About me
Hello, I've many years experience in the industry working on features, broadcast television (both pre school and older) games (AAA titles) commercials and promos. Live action, animated and mixed medium.
I work well in a team and just as happily remotely.
Recent projects completed are Paddington in Peru, before that I'd just finished working on the thriller Red King, 'afore that an AAA game and previously on a raft of live action projects as primary storyboarder for Disney's Nautilus and Paramount's Sexy Beast (the series).
Prior to that, projects include Netflix's The Witcher: Blood Origins, Stay Close and the Woody Harrelson feature, Last Breath.
I've worked on games for all formats, with a long association with the industry, the latest being the Dark Pictures Anthology and the werewolf hit Quarry, right back to the original Die Hard trilogy.
I often get hired by games companies for my film background.
I've worked on around 30 features from Last Breath, SAS Red Notice, Mama Mia 2 and Paddington 2 and 3, The Awakening etc to indies you've never heard of :)
Broadcast television, everything from pre-school animated to adult thrillers, The Red King, Sexy Beast, Nautilus, Stay Close, The Witcher, Black Mirror, No Offence, Bancroft, Primeval, Houdini & Doyle to The Sooty show etc.
Also there have been many music promos and more leading brand commercials than I can remember.
Skills
Character Design, concept design, Storyboarding
Sector Experience
ad boards, animation boards, high end pitch boards, shooting boards
Clients
BBC, Disney, Fox, Framestore, ITV, Jellyfish, Marmalade productions, MGM, Nintendo, SEGA, Sky, SMG, too many to list, Warner Bros. Entertainment Group of Companies