Displaying 361 - 396 of 712 results
The Task Force on Human Trafficking and Prostitution (TFHT) organisation and M&C Saatchi Tel Aviv have launched a hard hitting awareness campaign to support legislation to prohibit prostitution. The campaign is aimed at putting an end to the...
Posted by: Creativepool Editorial
DixonBaxi - Storey DixonBaxi has designed the visual identity for Storey, a new flexible workspace brand from property development company British Land. Storey has been launched by British Land to provide office space in London for companies that...
Posted by: Creativepool Editorial
The Creativepool studiocrowd project that searches for artworks inspired by Cleveland rapper Machine Gun Kelly and his eclectic new album, bloom, is no new concept. Artists have been inspired by music (and vice versa) for decades and from a marketing...
Posted by: Heather Deacon
Sid Lee - Fuel Fuel, the transport and logistics company partnered with Sid Lee to undertake a corporate rebranding initiative, a first for the company in their 13-year history. Unveiled in late March 2017, the new corporate identity not only...
Posted by: Creativepool Editorial
On Saturday 17th June 2017, using only mobile advertising technology, video intelligence helped a local crepêrie increase its footfall by over 400%. Queues of locals arrived to sample its crêpes, having heard about the bistro on their mobiles. Les...
Posted by: Creativepool Editorial
Ragged Edge - Giraffe World Kitchen Giraffe has relaunched as Giraffe World Kitchen. Integrated branding agency Ragged Edge has delivered a new brand positioning “Taste A Whole New World” and brought it to life through a new logo, visual...
Posted by: Creativepool Editorial
Illustration/animation agency Jelly London and UK charity Bite the Ballot called on creatives of all disciplines recently to submit designs for a strong visual campaign aimed at encouraging young adults to vote in in the upcoming snap General...
Posted by: Creativepool Editorial
BrandOpus - Hall & Woodhouse Badger BrandOpus has designed a unique Collector’s Edition bottle for Hall & Woodhouse’s signature brew Badger, which has picked up a coveted D&AD Graphite pencil. The extraordinary bottle is a realisation of...
Posted by: Creativepool Editorial
Stanley Chow’s bold portraits and illustrations are internationally recognised on the covers of The New York Times and The New Yorker, used for clients including Saatchi & Saatchi, and have even caught the attention of bands such as The White...
Posted by: Kate Lewin
The Partners/Lambie-Nairn - Arte The Partners and Lambie-Nairn have collaborated on a new visual identity for the cultural TV channel Arte. The rebrand looks to reflect Arte’s mission to be a cultural channel for all of Europe and change...
Posted by: Creativepool Editorial
Glazier Design – Landmine Free 2025 Glazier Design has created the identity for Landmine Free 2025, a new initiative by mine clearance charities HALO Trust and MAG. Landmine Free 2025 will put pressure on governments – particularly those that...
Posted by: Creativepool Editorial
WOW - A LONG overdue Beach Meets chat today with the AMAZING Rosy Nicholas: prop maker, illustrator, set designer, fashion designer, teacher, and craftswoman extraordinaire. We first met Rosy back in 2008 when she was working at Lazy Oaf - whom she...
Posted by: Beach London
12 months, 79 spreadsheets, 85.6GB worth of page designs, 90 design templates, 682.75 hours of coding, 137 Google Hangouts and four flights across 34,000 kilometers later and Amys.com was born. Find out how we did it here. This post reflects on our...
Posted by: Superrb
Now in its second year, D&AD Festival is the largest gathering of creative minds to take place in east London. Spanning three days, and five stages of talks, there’s no shortage of action either. Speakers come from all areas of the creative...
Posted by: D&AD
It gives us great pleasure to announce this year’s Creativepool Annual winners, revealed last night at the Annual Awards Ceremony at Protein Studios. A total of 251 winners were crowned between both the creative Annual categories and the Award...
Posted by: Creativepool
In 2014, Air Max Day was introduced by Nike to celebrate the Air Max and its vast history. It falls on March 26th every year, but this year was a particularly special one, as the Air Max officially turned 30, and to mark this auspicious occasion,...
Posted by: Creativepool Editorial
WPA Pinfold - Harvey's Brewery WPA Pinfold has designed the packaging and branding for Harvey’s Brewery’s new craft beer range, which looks to target a younger audience with a painterly style. The consultancy worked with a local artist...
Posted by: Creativepool Editorial
Vbat - Foster's Ubiquitous lager brand Foster’s has been given a new packaging design and tweaked visual identity, which aims to give more precedence to its Australian history. The rebrand has been completed by Amsterdam-based branding...
Posted by: Creativepool Editorial
Edelman Deportivo Edelman UK is looking to Stockholm to accelerate its creative ambitions consolidating its capabilities under the Edelman Deportivo banner. Stockholm based Deportivo was described by Contagious in January 2017 as the “best and...
Posted by: Creativepool Editorial
Dubbed the 'hippest place in Britain' by The Times, Glasgow is in the midst of a creative coming-of-age as the de-industrialised cityscape gives way to a subtle but steady innovatory transformation. But whilst it may have been overlooked in...
Posted by: Kate Lewin
BrandOpus - Blue Dragon Blue Dragon has unveiled a bold, vibrant new brand and packaging range, created by BrandOpus. Founded in the 1970s, Blue Dragon were pioneers in introducing traditional Asian flavours to the UK market. In the 40 years since,...
Posted by: Creativepool Editorial
To celebrate its 70th anniversary, the British Academy of Film and Television Arts (BAFTA) is inviting everyone to Be Part of the Story; a campaign that highlights the craft behind the world’s greatest art in motion. The campaign extends the...
Posted by: Creativepool Editorial
Whilst most of us know deep down that Valentine's Day is little more than a reason for couples to buy more cards and chocolate for one another and for singletons to buy more beer, ad land continues to pull out the punches every year. 2017 is no...
Posted by: Creativepool Editorial
The concepts of building something out of nothing and finding gold in somebody else's garbage are very much at the heart of a trend that could very well be seen as a euphemism for 2017 as a whole, given the widespread disappointment with the...
Posted by: Benjamin Hiorns
Soul has commissioned London artist Kate Philipson, aka Leopard’s Lunch, to create a series of striking murals to decorate the agency’s office interior. The artwork, entitled “Bubbling with Creativity, Oozing with Soul,” has a bold, pop art...
Posted by: Creativepool Editorial
Google - Waymo Google is finally establishing its self-driving car project as its own separate entity called Waymo, which unveiled its new logo this week. The company’s name apparently stands for “a new way forward in mobility,”...
Posted by: Creativepool Editorial
The Institute of Practitioners in Advertising (IPA) Sarah Golding, CEO and Partner of CHI & Partners, was today nominated by IPA Council members as the preferred candidate to succeed Tom Knox as President of the IPA in March 2017. Golding will be...
Posted by: Creativepool Editorial
Often cited as one of the most expensive cities in the world, Zürich’s creative potential gets a bad reputation. But amongst the hedge-fund millionaires and the more traditional aspects of life in Switzerland’s largest city,...
Posted by: Kate Lewin
With the exception of Christmas - because it obviously doesn’t count - the post-processed hangover sweats of the past few decades have kicked in and they’ve got us skulking to the nearest raw bar to grab ourselves something cold-pressed....
Posted by: Sophie Summers
Pentagram - The Old Vic Theatre Pentagram partner Harry Pearce has designed a new visual identity for The Old Vic Theatre in London, basing the design on its pub-like moniker rather than its original name, The Royal Victoria Theatre. Designed to be...
Posted by: Creativepool Editorial
Ragged Edge - Camden Lock Parent company Market Tech recently approached Ragged Edge to define and create a coherent brand for the iconic Camden Market. The approach had to be relevant to a broad millennial audience and work both on and offline, but...
Posted by: Creativepool Editorial
Paul Belford Ltd – YO! Sushi YO! Sushi has unveiled a pretty bold rebrand, which actually goes so far as to drop “Sushi” from the main logo. Elsewhere, it also takes on a decisively simpler, and more illustration-inspired look. The rebrand was...
Posted by: Creativepool Editorial
The leaves are turning a rusty shade of green and there’s very definitely a chill in the air which can only mean one thing: Autumn’s here. And so, after a summer of veritable freedom, we’re all heading back to our desks, ready to knuckle down...
Posted by: Kate Lewin
Cheil London Cheil London has boosted its creative offering by hiring award-winning creative director Russell Schaller as Creative Director of Film. Schaller joins the agency from Havas Worldwide London where he served as Creative Director. He will...
Posted by: Creativepool Editorial
Jon, Therese and Luke are an East London-based trio working within illustration, design and experimental screen printing at Studio Heretic. Their ultra-vivid colour plays take our eyes on magical new journeys in print, here’s what this Holy...
Posted by: Kate Lewin
Commissioned by Sunset and Vine, Jump has created a new visual identity for Channel 4’s coverage of the Paralympic Games in Rio. London 2012 first introduced us to “The Superhumans,” many of whom are now household names. Jump...
Posted by: Creativepool Editorial