Based in Amsterdam, Rachelle Meyer is an American illustrator with over 15 years of experience in the creative industry, specialising in narrative art and literary markets. Rachelle is also a writer; which is why her storytelling skills are so incredibly strong.
Passionate about her craft and a strong believer in the power of personal projects to keep you motivated, Rachelle floats from project to project with her visual and storytelling skills, losing herself in lateral thinking and rough sketches before achieving a more refined work. We have no trouble believing her style is strongly reflective of her very personality: harmonious, clean, yet bold and decisive. A true mark of craftsmanship which speaks for itself below.
In this Member Spotlight, we are learning more about the talent of Rachelle Meyer, Freelance Illustrator, Artist & Writer from the Creativepool community.
How did you get into the industry?
I graduated from college with an art degree. Over time, I discovered that my real passion had to do with telling stories visually. That led me to hone my drawing abilities so I could illustrate books. More recently, as an illustrator, I’ve found that storytelling can also be about creating a sense of place or mood in editorial illustration, or crafting my own stories as a writer and illustrator.
Where are you based now and who do you work for?
I’m an American, originally from Texas, who’s been living in Amsterdam for the past 15 years. I’ve been freelancing for more like 20 years, and I cut my teeth in New York City.
If you weren’t in your current industry, what would you be doing?
I continue to reach into different pockets of related industries, so I’m always building new skills. I’m sure I’d be busy with making things in some sense.
Can you explain your creative process?
I like to do a lot of lateral thinking at first when I get a brief, and as often as possible, I sleep on it after brainstorming. I move from notes and messy sketches to a more presentable rough, and like to discuss that with a client before really diving into developing a final image.
How would you describe your style?
My style has become more assured over time. Clean line work, harmonious but bold color palettes. My work is figurative and usually looks like it has a tale to tell.
Which individuals do you gain inspiration from? Do you have any heroes in the industry?
I recently discovered Posy Simmonds through a blog post by the AOI, and I’m absolutely smitten. If I could mirror anyone’s career, it would be hers.
If you had to pick one ideal client/employer, who would that be and why?
Can I pick three? I’ve always wanted to work for Chronicle Books, Workman Publishing and The New Yorker.
How has technology affected the way you work?
Working digitally is great, especially when it has to do with client work. I finally got an iPad Pro last year and love how portable it is. Sometimes I feel like I need to get back to paper and unforgiving media so that I don’t fall into a CTRL+Z spiral. It makes me sharp and decisive again. But you can’t beat digital for delivering files and making last minute adjustments.
What’s your secret to staying inspired and motivated?
Working on personal projects. Two years ago I launched an art project called Faces on the Ferry, and that opened many new doors for me in terms of contacts and new kinds of work. I just finished an autobio comics trilogy called Texas Tracts, and beyond the satisfaction of seeing my vision come to life, I expect that it will also lead to different kinds of work with new clients.
What’s the work achievement you’re most proud of?
I can’t play favorites! But it was definitely the last thing I completed. ;-)
How do you recharge away from the office?
I like taking long walks and longer bike rides. Spending time with my family is important. I love reading and visiting museums, which always brings me right back to the drawing board.
What is one tip for other aspiring creatives looking for work?
When you’re not working for clients, enrich your voice by working on your own projects.
What is the one thing that you would change about the industry?
A system that rewards privilege. Creatives shouldn’t be expected to work for free, whether it’s through comp work or an unpaid internship.
Any websites, books or resources you would recommend?
Understanding Comics, by Scott McCloud; Writing with Pictures, by Uri Shulevitz; Association of Illustrators https://theaoi.com
