Kelly Bayett Creative Director

ABOUT

Procter & Gamble (P&G) is continuing the conversation on racial bias by releasing a follow-up to its Emmy award-winning film 'The Talk.' It's been two years since P&G rolled out a heart-wrenching video that centred around 'the talk' - a conversation that black parents often have with their children, to educate them about racial prejudices and bias they may face because of the colour of their skin. Now, P&G is endeavouring to make more ground on the fight against racial bias via its new film 'The Look.' In a similar vein to 'The Talk,' the film gives an insight into the experiences that black people face due to prejudice. The film homes in on what it is to be a black man and the looks they get every day, because of that. Whether that's micro-aggression or more overt prejudice looks - many of which are unintentional but still nonetheless have an impact. It opens with the protagonist - an African American man - waking up, and as soon as his eyes open, the viewer feels he's battling internal anguish. He then walks his kid to school, who spots a pal in a car and the pair wave friendly to each other - before her mother gives them a look and rolls her window up. As he enters the elevator lobby at work, he waves at the people in the lift to hold the door - but they close it in his face. In other scenes, a couple are seen entering a restaurant, but as soon as they see our protagonist, they turn and move away. As he teaches his boy to swim, another father and son leave the pool and when he enters a shop, the shop attendant looks to the security man for support. Nothing is spoken, only through body language does the racial prejudice seep through. We then swap sides and see the look our protagonist responds with; defiant and questionable. 'The Look' ends in a courtroom, where we are led to presume that he in trouble with the law. In fact, he is the barrister - provocatively highlighting how stereotyping affects the way you look at the world. It ends with a simple, but a poignant request: "Let's talk about the look so we can see beyond it." To create the film, P&G worked with a collective called Saturday Morning, the creative collective founded by figures in the ad industry who wanted to conceive ideas designed to shift perceptions on racial bias and injustice. Following the preview at Cannes Lions last week, P&G made the film available on a dedicated site.

MADEIT CREDITS

  • Procter & Gamble CorporateClient
  • Alejandro SparanoExecutive Producer
  • Andrea CipelliProducer
  • Aneisa HagenProducer
  • Anthony MandlerDirector
  • Anthony MandlerDirector
  • Barking OwlPost Production Company
  • Cabin EditPost Production Company
  • Eric MargusityArt Director
  • Erin SullivanProducer
  • Fernanda GuerreroArt Director
  • Fran McGivernExecutive Producer
  • Geoff EdwardsCreative Director
  • Ivan EntelExecutive Producer
  • Jayanta JenkinsCreative Director
  • Jeff BaronManaging Director
  • Keith CartwrightCreative Director
  • Kwame Taylor-HayfordManaging Director
  • Mark HallProducer
  • Patricio LopezProducer
  • Patricio LopezProducer
  • Red CreekProduction Company
  • Sam OstroveEditor
  • Sam OstroveEditor
  • Saturday MorningAgency
  • Stink FilmsProduction Company
  • * Kelly BayettExecutive Producer
  • * Cannes Lions Winners 2021
Annual 2020 JudgeMusic & Sound Project featured: on 22nd September 2021 Contributor:

Kelly Bayett has been a Contributor since 25th November 2015.

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The Look

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