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The Kitchen, the Netflix UK Original, and winner of two prestigious BIFA Awards (British Independent Film Awards) for Best Effects and Best Production Design, is set against the backdrop of a dystopian future in London. The film spotlights the gentrification of London. The Kitchen, the last remaining public housing complex, shelters its defiant impoverished residents who grapple with the constant fear of utility cutoffs, and face police intimidation as well as eviction.
The film spotlights the gentrification of London. The Kitchen, the last remaining public housing complex, shelters its defiant impoverished residents who grapple with the constant fear of utility cutoffs, and face police intimidation as well as eviction.

At the heart of the story is the unusual dynamic between Izi (Kane “Kano” Robinson”) and 12-year-old Benji (Jedaiah Bannerman) that begins at “Life after Life” where Izi works. A company that composts those who have passed on into fertiliser as their families are unable to afford the conventional funeral option. As Benji deals with the loss of his mother, the film delves into the struggles of residents. The Kitchen offers a nuanced exploration of societal challenges. We see Izi step into unfamiliar territory; initially portrayed as a self-sufficient, and “I am just trying to survive and make it out alive” character. Izi’s role transforms as he takes on the responsibility “of a father” for Benji.

The task? to build the grungy worn-out world of The Kitchen. Chocolate Tribe worked on over 250 VFX shots, such as large 3D city scape set extensions, 2D/3D holographic advertisements, animated drones and rendered future-inspired vehicles, as well as many detailed 3D city assets (such as construction sites and the futuristic buildings).

The tools used on this production were Autodesk Maya, Arnold, Foundry Nuke, Substance Painter, Ftrack, DaVinci Resolve, Blender, Redshift, Unreal Engine, Houdini and Adobe Creative Cloud. The film highlights heavily the structural and architectural look of the block of apartments in The Kitchen (Les Damiers, which were filmed in Paris, France), which required over 100 assets to be sculpted and modelled.