ABOUT

For this project, I stepped up as DOP, we filmed on a street backlot in Wimbledon Studios, using Aperture 600Ds and silks, diff frames and neg fill to shape the natural daylight on the street.
In place of a crane, we put a Cineflow Black Arm & Ronin 2 with Ursa G2, on a strato safe crank stand, cranked to almost full extension, and I focus pulled from below. We also rigged a Trike for tracking shots. The rest of the shots were a mix of tripod and hand-held.