ABOUT

When Mr. Ochi contacted me to create two drawings of Nio to adorn the entrance of the Eisho-In Temple, I immediately felt the magnitude and honor of this commission. These iconic figures, known as Kongō-rikishi, are not mere statues: they embody protection, power, and determination in the Buddhist tradition.
The Nio are placed at temple entrances to guard their sanctuary against malevolent intentions. Agyō, with an open mouth, symbolizes attack and the expulsion of negative forces. In contrast, Ungyō, with a closed mouth, represents closure, mastery, and silent protection.

???? The challenge? Capturing this duality in a graphic approach that respects tradition while bringing my own interpretation. The task was to convey the power of tensed muscles, the tension of their stances, and the intensity of their gazes, all while preserving the raw energy inherent in traditional sculptures.
Exchanges with Mr. Ochi and an in-depth study of historical references were essential to understanding the significance of these figures for the Eisho-In Temple. This sacred place, steeped in history—where every architectural detail and sculpture contributes to a unique spiritual experience—pushed me to find a subtle balance between respect for the past and contemporary expression.

✨ A memorable moment: The blessing of my works by the temple’s monks, a spiritual act that deeply marked this project.

???? Featured in Shinkenchiku: The publication of my illustrations in the Japanese architecture magazine was a wonderful recognition of this work.
This project was a fascinating dive into Buddhist iconography and an enriching human and creative exchange. It showcases how illustration can engage in a dialogue with architecture and spirituality.